Rada Labworks: Waves
(This is a past event and is no longer running)
Four original pieces ask questions of identity, community and what we owe to one another. London’s most promising emerging theatre makers stand up and call for a world that is compassionate, inclusive, affirming, bold and queer.
How does gender shape both our society and our own individual lives? What is the impact of a civilisation which emphasises so much on gender and its expectations? From the tribute to a pop star to a coming of age between two cultures; from a journey to self discovery to political battles, Waves reflects on various aspects of the impact of gender through the work of London’s most promising emerging theatre makers.
Shows in this program (in order): Kissing a Fool, Rites of Passage Scenes From A Party, The Last Time I Saw Caileigh.
KIssing A Fool
Written and Performed by Dylan Aiello and Scarlett Love Stitt.
Kissing a Fool is a queer clown-cabaret tribute to George Michael. We speculatively dive into the beloved pop-icon’s psyche at the lowest point in his life. After the death of his lover, Anselmo Feleppa and losing a high-profile legal battle with Sony Music, he feared he’d never write another song. In his despair, George awakens the Fool from deep within, a familiar clown companion whose only intelligence is play. Join us on this musical journey into the tumultuous creative process of one of the greatest artists of a generation and witness the transformation of grief into transcendent creativity through song. This performance will be a 15-20 minute excerpt from the full piece.
Content warnings: depiction of drug use, loud noises and partial nudity.
RITES OF PASSAGE
Written and performed by Luntu Masiza and Olivier Van Den Hende; Directed by Clare Stopford.
Rites of Passage is a new play about family and identity. Transported into isiXhosa and French cultures, this multi lingual piece follows the journey of two young men retracing the stories that brought them from boyhood to manhood. Dealing with daily cultural, and social political issues of being an immigrant and battling with the unfulfilled dreams of a father projected onto his son, two men from very different backgrounds find their connection in a search for identity and acceptance.
Scenes from a Party
Devised, written and performed by Arianna Calgaro and Scarlett Love Stitt.
“It is foul to do to other men what men habitually, proudly, manfully do to women: use them as inanimate, empty, concave things; f**k them into submission; subordinate them through sex. Right wing women have surveyed the world: they find it a dangerous place.”
Inspired by real politicians and real-life speeches, Scenes From A Party follows the journey of an anonymous figure as they attempt to seize power from the woman in charge. These women are products of the patriarchal machine, and in this eat or be eaten world must choose to kill for what they believe in or suffer the consequences.
Content warnings: themes of sexual discrimination, hate and power, hate speech, racism, depictions of r*pe, gore, bodily harm, sexual harassment, partial nudity, loud noises/screaming, use of a replica firearm.
THE LAST TIME I SAW CAILEIGH
Written and performed by Harun Ćehović, Matthias Moret, Helen Percival and Victoria Sasso; Directed by Matthias Moret.
Caileigh Richardson disappeared three days ago. Maxime will stop at nothing to find out who is responsible and make them pay.
The Last Time I Saw Caileigh explores how our patriarchal and heteronormative society actively and passively forces queer people into the margins of society where it’s easier for them to disappear. The show investigates the slow corrosion of identity that occurs when we deny parts of ourselves that don’t fit with the mainstream.
Content warnings: homophobia, transphobia, partial nudity.